Tag Archives: San Francisco

THE FUTURE IN 1850

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In our era we are familiar with examples of nations that have experienced impressive development because of sudden infusions of wealth from a single natural resource and then faced chaos and decline when the resource was exhausted and no other basis for stability was available. One thinks, for example, of Venezuela and Nigeria where prosperity was tied to petroleum and then slowed radically as oil reserves were depleted, because profits were not used to produced a diverse economy, a sound political infrastructure, and a treasury surplus to sustain the country during difficult periods. One can also think of counter-examples, such as Norway, where profits from petroleum have been invested in sovereign wealth funds designed to ensure balanced development and social equity over the long term.

In the middle of the nineteenth century, California had the potential to become a state based too much on one resource, but instead crafted a future that, while not without problems, was filled with great possibility because it was based on multiple sources of strength.

In 1848, as a result of the Treaty of Guadalupe Hidalgo, which ended the U.S.-Mexican War, California became a possession of the United States. That same year, extensive deposits of gold were discovered in the Sierra Nevada Mountains in the areas north and south of the Sacramento River and its tributaries. As news of the discoveries spread, huge numbers of wealth seekers made their way to California from Asia, Australia, Latin America, other parts of the United States, and Europe. Even though many people did not find gold, others did, and their stories produced a mania and a single-minded view of California as a place known for quick riches and nothing more.

There were, however, more farsighted people who suspected that the bonanza would not last forever; and they asked themselves whether it might be possible to create a more multifaceted California that would not disintegrate after the gold was gone.

Bayard Taylor
Bayard Taylor

One of the people who thought rigorously about California’s future at mid-century was Bayard Taylor (1825-1878), a talented journalist whose reporting continues to be a highly informative exploration of the identity of the Golden State.

Bayard Taylor grew up in Chester County, Pennsylvania. His father was a wealthy farmer and his parents were Quakers. Possessed of great literary ability, Taylor made his way to New York City where he gained prominence as a poet, travel writer and journalist. During his lifetime he journeyed to and wrote widely read books and articles about many places, ranging from Hawaii to Egypt to Japan. In his last years he served as a U.S. diplomat in Germany, where he died.

In 1848, Taylor caught the eye of Horace Greeley, the founder and editor-in-chief of the New York Tribune, which was by the 1840s the most influential newspaper in America. Greeley commissioned Taylor to go west and write articles for East-Coast readers about the new mining regions. In June 1849, aged twenty-four, Taylor left New York by ship, made a hazardous journey across the Isthmus of Panama, and then sailed north, arriving in San Francisco after brief stops in Mexico. During the voyage to California and after arrival, Taylor regularly composed “letters” about the places and people he encountered, intending that each letter eventually be reprinted in the Tribune.

San Francisco 1848, as illustrated in Taylor's book Eldorado
San Francisco 1848, as illustrated in Taylor’s book Eldorado
San Francisco 1849, as illustrated in Eldorado
San Francisco 1849, as illustrated in Eldorado

Taylor’s letters duly reported on the Gold Rush. But he soon began to focus upon a story that he judged to be of more importance. With the shift in California from Mexican to American rule, an older society was waning in influence, and a new one was beginning to take shape. The challenge of adjustment was being intensified by the sudden arrival of thousands of migrants, and there was a possibility that Yankee California might be a house of cards if the gold ran out, the gold seekers left, and the area had no basis for any kind of life except the sleepy rancho society of the earlier Mexican period.

In pursuit of his curiosity about California’s future, Taylor wrote articles covering many aspects of the world he encountered. In San Francisco he described the phenomenally rapid physical growth of the city, the kaleidoscopic interplay of peoples as diverse as Hawaiians, Chinese, Chileans, Malays, and Kansans, the harbor crowded with ships, the juxtaposition of gambling dens and churches and the powerful energy one could feel at every turn. He journeyed by mule across the Central Valley and wrote vividly about mining camps in the Sierras. He traveled by schooner through the Delta to the new and rapidly expanding town of Sacramento. He explored deteriorating Spanish missions and visited ranchos still run by the original Mexican families. He walked from San Francisco to Monterey, stopping for numerous conversations along the way.

Sacramento, from Eldorado
Sacramento, from Eldorado

Two aspects of California’s future interested Taylor in particular: One was government, the other the role California might play in the larger world.

The first issue, government, was arising at a time when national political leaders in Washington DC were anxious to consolidate the United States into a transcontinental nation. Annexation of California in 1848, by means of the treaty that confirmed America’s victory in the U.S.-Mexican War, provided just such an opportunity. And eagerness to strengthen ties to California became even greater as the Gold Rush increased the area’s population, offered a new source of wealth for the Treasury, and provided secure locations for military and naval bases. The dominant concern of leaders in the East was speed in achieving these specific goals.

What interested Taylor was the way in which political leaders in California made enlightened use of Eastern eagerness. Rather than simply throwing together a hasty, slapdash proposal for statehood and sending it off to Washington DC, California’s leaders came together in a carefully deliberative convention in the temporary capital at Monterey and crafted a constitution that provided for growth that could be sustained even without a large supply of gold.

Taylor was impressed by the conscientious, thorough manner in which convention delegates addressed difficult issues that had long-term implications. For example, the delegates carefully discussed slavery (voting to prohibit it), where to put the eastern border of the new state (locating it along the eastern side of the Sierras), and how to regulate land ownership (approving a system that integrated older laws based on Spanish land grants and newer laws based on Eastern forms of property rights).

Monterey, from Eldorado
Monterey, from Eldorado

Taylor was also impressed by the inclusiveness of the convention. Many delegates were chosen to represent U.S. interests, including, for example, the military hero John C. Fremont, the prominent Monterey newspaper editor Walter Colton, and the landowner John Sutter whose properties near Sacramento had been the location of the earliest gold discoveries. But, Taylor noted, there were also delegates representing the earlier Mexican order, such as the powerful landowner Mariano Vallejo and Andres Pico, the military leader from southern California who had been defeated by Fremont and had signed the surrender documents. Broad representation of this kind would help to ensure an orderly political and economic future.

After the constitutional convention ended, Taylor prepared to leave California, return by ship to New York, and oversee final publication of his “letters” in Horace Greeley’s Tribune, followed by collection of the articles into a book with illustrations based on his journey. But before departure he penned some final reflections concerning the larger question of California’s ideal role in an expanding America. Taylor imagined a California connected to the entire Pacific region. With enthusiasm he wrote that “the new Highway to the Indies, forming the last link in that belt of civilized enterprise which now clasps the world, has been established under my country’s flag.” He envisioned that California, with its varied topography, mixture of cultures, and potential for many kinds of economic activity, might well become “the Italy of the West.” Such a comparison has since become commonplace, but Taylor was among the first to make it.

In his concluding observations, Taylor declared that San Francisco was the place in California that most impressed him. He believed it would someday be the “New-York-of-the-Pacific.” And in one of the most powerful of his “letters” he wrote: “Of all the marvelous phases of the history of the Present, the growth of San Francisco is the one which will most tax the belief of the Future. Its parallel was never known, and shall never be upheld again. I speak only of what I saw with my own eyes. When I landed there, a little more than four months before, I found a scattering town of tents and canvas houses, with a show of frame buildings on one or two streets, and a population of about six thousand. Now, on my last visit, I saw around me an actual metropolis, displaying street after street of well-built edifices, filled with an active and enterprising people, and exhibiting every mark of commercial prosperity…. Like the magic seed of the Indian juggler, which grew, blossomed, and bore fruit before the eyes of his spectators, San Francisco seemed to have accomplished in a day the growth of half a century.”

If Taylor could have returned to California in later decades, he would have seen that the state in many ways did not live up to his hopes. In the second half of the nineteenth century, California was marred by racist violence directed at Native Americans and Asians, profligate exploitation of natural resources, political corruption, and consolidation of land ownership in too few hands. Nevertheless, and thanks in great part to visionaries like Taylor who were present at its birth, California did develop in multi-faceted ways that have laid the basis for relatively stable political and social order and a very large role in the life of the United States and the world.

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Bayard Taylor’s ancestral home in Chester County, Pennsylvania

Eldorado: Adventures in the Path of Empire, based on Taylor’s reports in the New York Tribune, was first published in 1850. A modern, annotated edition was published in 2000 by Heyday Books and Santa Clara University.

THE CALIFORNIA FILMS OF ALFRED HITCHCOCK

 

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In the fall of 1964, at the start of my senior year at Stanford University, I was invited by a national foundation to fly down to Pasadena and compete for a graduate school fellowship against ten other seniors from schools around the state. We met with the selection committee in the baronial surroundings of the Cal Tech University faculty club. Two students were chosen to receive the fellowships. I was not one of them.

I packed my bags and went back to Burbank Airport, where my time in the Los Angeles area had begun two days before. As I sat in the almost empty passenger lounge waiting to be called to the gate for my flight, I realized that I was an hour early, probably because of the distraction of thinking back on my interview the day before. I wondered what I would do to pass the time. Perhaps buy a newspaper?

Then, next to the row of chairs facing mine, a short, portly man shuffled into view and sat down. He was wearing a dark, navy blue, three-piece suit and very shiny black loafers. The bald top of his head was as shiny as the shoes.

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Suddenly I realized that the man was Alfred Hitchcock. I had an urge to walk over and ask for an autograph. But I refrained, perhaps because of the leftover influence of the restrained surroundings of the Cal Tech faculty club, where anything resembling mass behavior was unthinkable.

Hitchcock and I were alone in the passenger seating area for around ten minutes. I was careful not to stare at him, and, as his head moved, his alert eyes seemed to take in everything except me.

At this point, two elderly ladies, chatting animatedly with each other, walked into our area and sat down three seats away from me. Initially I couldn’t make out the many things they were saying to each other. But, after one of them looked across to the other row, the conversation became a series of loud stage whispers, saying, in so many words, “Oh, look, over there. It’s Alfred Hitchcock. Don’t gawk. This is thrilling. I wonder if we should ask him for an autograph.“

If ever there has been a man preternaturally alert to the words and gestures of others, that man was Alfred Hitchcock. He sensed immediately what the two ladies were discussing. Then, to my surprise, and probably theirs, he lifted himself ceremoniously from his chair and walked floatingly toward them.

Many celebrities try to preserve their privacy. But Hitchcock, apparently, was not one of them. As he neared the two admirers, he made a slight bow, reached out, shook hands, and said, in his famous rounded pronunciation, “I see that you two ladies have noticed me. I should be most pleased to give each of you an autograph, if you so desire.”

By now almost giggling, the women shuffled in their purses for stray pieces of paper and handed them to Hitchcock. He pulled a ballpoint pen from inside his coat pocket, took several minutes to write out what must have been very fulsome remarks, chatted briefly, graciously excused himself, and returned to his chair.

A short while later, hearing the announcement that my plane was ready for boarding, I headed toward it. Neither Hitchcock nor the ladies followed. Apparently they were waiting for later flights.

Ever since that chance encounter with Alfred Hitchcock, I have often wondered how, as the most British of men, he fit into life in California. Something of an answer to the question may be found in a look at the films he made which were set in the Golden State.

In 1939, after a stunningly successful career in Europe, Hitchcock migrated to Hollywood, attracted by the opportunity for a great increase in income, the global reach of the American film industry, and the fact that the way had already been prepared by a large community of British actors and directors – what many people called the “Hollywood Raj.”

Hitchcock’s first two American films, Rebecca (1940) and Foreign Correspondent (1940), were both set in Europe. Thereafter, his productions were sometimes set in other countries and sometimes in the United States.

Among the American-made films, a significant number were set in California. In some cases, to be sure, the focus on California was only partial. Saboteur (1942) begins in a defense factory in Southern California but moves across the U.S. to Manhattan.

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Trailer for Saboteur

And in some cases Hitchcock cleverly makes us believe that a California setting is something else. For example, in North by Northwest, the drives along the Atlantic seacoast occur in California terrain. And the iconic scene in which Cary Grant is pursued through a mid-western corn field by an airplane actually was filmed outside of Los Angeles in a large flat farm area made to look like a corn-field by Hitchcock’s incredibly talented set designers.

That said, however, it is clear from four other films, Shadow of A Doubt (1943), Vertigo (1958), The Birds (1963), and Family Plot (1976), that Hitchcock had a long-standing interest in his adopted state. The interest may simply have been due to the fact that Hitchcock lived in California and, like many in Hollywood, regarded film making in the state as convenient, especially because of California’s great scenic diversity. But a more likely explanation is that the landscape and heritage of California evoked a certain kind of religious response, as can be seen by examining the films.

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Theresa Wright and Joseph Cotten in Shadow of a Doubt

Shadow of A Doubt begins in Chicago, where Joseph Cotten, suspected of murder, is being chased by the police. Eluding the authorities, Cotten determines that he must leave the city immediately. He sends a telegram to relatives in the small, Northern California city of Santa Rosa, announcing to them that their dear “Uncle Charlie” will be coming out for a visit after being away for much too long.

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Hitchcock’s cameo scene in Shadow of a Doubt

During his train ride west, Cotten has a conversation with a fellow passenger, in which they agree that Santa Rosa is a nice quiet little town.   And this is clearly one of the reasons why Hitchcock has chosen it as the main setting of his film. Santa Rosa is, in part, a symbol of middle-American innocence. But Hitchcock could have picked a town in, say, Kansas or Nebraska if he wanted an even more quintessentially middle-American setting. The choice of Santa Rosa was probably traceable to his Catholic sensibility, which is an element in all of his California-based films. Hitchcock grew up in a Catholic family in England and was the product of a Jesuit education. The choice of setting for Shadow of A Doubt shows several Catholic aspects. The town takes its name from Spanish-Catholic culture. It is located not in the treeless expanses of the Great Plains, but in the midst of a heavy forest of pines and redwoods. Like the interior of a cathedral, the trees protect the town and also cause one from time to time to gaze upward toward the heavens. This is the ideal setting for a Catholic morality play, and the infinitely charming Joseph Cotten is the snake in disguise who invades the sanctuary.

All of this provides the moral atmosphere of the story, which has as its central narrative the discovery of original sin. Theresa Wright, playing a girl in her early twenties, the unmarried niece of Joseph Cotten, is among the family members who welcome Uncle Charlie for an extended stay in the large Victorian house where they live. But, where the other family members suspect nothing, she proves to be more observant and gradually realizes how dangerous Cotten is. He, in turn, decides he must eliminate her, which he attempts to do in a frantic struggle on the passenger stairway of a moving train, and in which he falls to his death. As the film ends, we see that Hitchcock has presented us with a powerful tale about the intrusion of evil into the least likely of places, and we wonder whether we, Santa Rosa and Theresa Wright will ever be the same.

The elements of a Catholic morality play are even more apparent in Vertigo. The story centers on an American detective, very middle American in his persona, and fittingly played by James Stewart, who finds himself drawn gradually into a world of sin he does not completely understand. The character’s fear of heights is in some ways reminiscent of Dante, and everyone’s anxiety about falling into the pit of Hell. Stewart’s girl friend, played by Barbara Bel Geddes, is the balanced, middle-American companion who helps Stewart to reckon with his fears. But gradually he is drawn into a morally ambiguous world. Along the shore beneath the Golden Gate Bridge, Stewart rescues a hauntingly beautiful woman, played by Kim Novak, who is getting ready to kill herself: a mortal sin in Catholic theology. She seems at first to be upper-class and Mexican in background, although Stewart eventually discovers that she is a lower-class woman of Irish-Catholic background who has been hired to impersonate the upper-class woman, who was previously murdered.

San Francisco, with its large Irish, Spanish, and Mexican Catholic populations, is an excellent setting for such a story line – complicated though the plot may be. Equally useful is the city’s famous fog, which adds to the sense of moral ambiguity. And for good measure the film includes a drive along the Pebble Beach coast as the turbulent setting of a love scene, and a foggy scene in Muir Woods, the redwood grove in Marin County north of San Francisco, where the cathedral-like features of the giant trees are one of the backdrops for Novak’s frequent attempts during the film to understand her inner self (although Big Basin Redwoods Park south of San Francisco was used to represent Muir Woods).

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Mission San Juan Bautista

The climactic, final scene of Vertigo is heavily Catholic. In an effort to help Novak exorcise the deep troubles rooted in her memories, and force her to confront her various guilts, Stewart drives Novak from San Francisco to the small ranching town of San Juan Bautista, south of the city of San Jose. As anyone who has driven the route knows, the journey by car takes about three hours. But in the film Hitchcock manipulates his audience, leaving us with the feeling that Stewart and Novak have made the complete drive in about twenty minutes. In any case, once at San Juan Bautista, Stewart and Novak walk to the historic Spanish mission located there and climb to the top of its bell tower, where, overcome by fright, Novak falls to her death, either because she has slipped or because she has subconsciously chosen to jump. Stewart has not fallen into the pit of Hell, but she has.

The Birds also has strong theological elements. They are not as explicitly Catholic as in Vertigo, because it is easy to interpret the film’s moral code in secular terms as a stern warning about respecting the balance of nature. But the film can also be seen as an exploration of sin against God’s creation. The story begins in a pet shop in San Francisco, where the lead characters, Tippie Hedren and Rod Taylor, first meet and become interested in each other. At the shop, the owner happens to talk reflectively about the immense cruelties that humans have perpetrated over the centuries against birds. These remarks foreshadow the rest of the film, which is a visual narration of a collective act of revenge by birds in which Hedren and Taylor become involved. Hedren follows Taylor to his home in the small Northern California community of Bodega Bay. The two become attracted romantically, but in the midst of a series of ever-more terrifying acts upon the people in the area by thousands of birds. The events evoke a film viewer’s thoughts of Apocalypse. The religious atmosphere is also evoked by frequent shots of Gothic-style buildings, most notably an old wooden church photographed against a gray daylight sky.

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Potter School, Bodega Bay, one of the buildings in The Birds

Hitchcock’s last film before his death was Family Plot. Its locales are in both Los Angeles and San Francisco. The two cities are at times the actual settings for the filmed scenes. But the use of actual landmarks is not as explicit as in most of Hitchcock’s previous films. So, for example, the car chase scenes in the movie were filmed on the back lot at Universal studios. On the other hand, Hitchcock used the interior of Grace Cathedral in San Francisco as one of his settings.

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Hitchcock in Grace Cathedral, San Francisco, directing Family Plot

The title of the film is confusing. It refers both to a cemetery and to the intrigues among the relatives who are the main characters. The film’s very complicated plot involves three sets of characters, played by Barbara Harris and her boyfriend Bruce Dern (one set), Cathleen Nesbitt and Ed Lauer (another pair), and William Devane and Karen Black (the third set), who maneuver through scenes both comic and macabre to possess a large diamond. The story barely holds together, but it is nevertheless a tour de force that rewards viewers because of Hitchcock’s trademark manipulation of details and his always-impressive cinematic technique. One would have to strain to claim that the film involves any serious exploration of theology, Catholic or otherwise, but it does continue Hitchcock’s emphasis upon California locales as devices for exploring morality.

In sum, then, one could say that, in both small and large degree, California was, for the transplanted Englishman Alfred Hitchcock, an important extension of the moral universe first presented to him by his Catholic family and his Jesuit education. I should have asked the man for his autograph.

GOLD!

 

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Everyone knows there was a gold rush in California in 1849.  Less appreciated, however, is the fact that the rush was not always as intense as we might think, and followed a slow-fast-slow rhythm, not only because of the processes needed to get to the gold, but also because the rush was greatly affected by the methods of communication available at the time, which were enormously different from those of today.

In February 1848, as one of the results of victory in the U.S.-Mexican War, California came under American control. The region at that time was sparsely settled, inhabited by Native Americans, Mexican farmers and ranchers, and some 3,000 Americans, widely dispersed across the region, who in some cases had entered illegally during the years of Mexican rule, and in other cases had been welcomed by Mexico to help develop the economy.

The first English language newspaper in California, the Californian, was published in 1846 in Monterey by Walter Colton, the chaplain of the U.S. frigate Constitution, who chose to settle in California and who had been editor of the Philadelphia North American.

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Walter Colton

To the north, in the settlement of Yerba Buena (the future San Francisco), the state’s second paper, the California Star, appeared in1847. Its publisher was Samuel Brannan, who had previously been the proprietor of two Mormon papers, The Prophet and the New York Messenger.

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Samuel Brannan

Almost immediately, Brannan and Colton began a competition for readers and carried on a war of insults with each other in the pages of their publications. But, even though the two were competitors, both Brannan and Colton were like most other western newspaper publishers of the era in that they did not go out of their way to print information about interesting local events. They assumed that news in this category would travel by word of mouth well before they could print it, and they did not have the financial means to hire reporters who could look for information by going to the scene.

The general passivity in gathering local news was one reason why the Californian and the California Star were slow in reporting the discovery of gold at John Sutter’s Mill on the American River in January 1848. Another reason was skepticism on the part of most Californians. Although Sutter’s workers and others who lived near his property could see with their own eyes that gold was present, and although most of Sutter’s employees soon abandoned him to search for treasure, Californians were used to hearing rumors about gold discoveries, and remembered how a gold find near Los Angeles in 1842 came to almost nothing because the deposit was much less extensive than at first assumed.

The Californian did not print any news about the discovery at Sutter’s Mill until March 15, 1848, when it offered the terse headline “Gold Mine Found,” followed by a short, matter of fact report by a local correspondent.

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But then, as information traveled by word of mouth, on April 1, 1848, the California Star came out with an extra edition and sent 2,000 copies to Missouri hoping to sell papers and attract people to California to develop the economy. Brannan was curious enough to travel to Coloma and there saw the gold with his own eyes. He returned to San Francisco on May 12 and, displaying a bottle of gold dust, shouted to passersby “Gold! Gold! Gold from the American River!” On May 29 the Californian published a highly enthusiastic article about the discovery. Mania soon spread throughout California and all along the Pacific coast, attracting miners from as far away as Peru, Hawaii and Canada.

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Early map of the gold regions

News of the gold discovery reached the east more slowly. Word of mouth played a role, as did personal letters that made their way east from California overland or in most cases by ship. A prominent Monterey businessman, Thomas Larkin, wrote long letters on June 1 and June 28 and July 20, 1848, to Secretary of State James Buchanan in Washington DC, alerting him to the national importance of the gold discoveries. Larkin’s first letter, of June 1, was carried across Mexico and reached Washington DC in mid-September 1848. Colonel Richard Mason, the military governor of California, visited the gold fields in June 1848 and, after becoming convinced that the discoveries were substantial, composed an enthusiastic eyewitness description. He sent his report, along with 230 ounces of gold, via special courier on a ship that left Monterey harbor on August 30 and arrived in Washington DC in late November 1848.

Newspapers in the east, in the United States, were slow to pick up the story of the gold discovery in California. Then, on August 8, a St. Louis newspaper published an excerpt of an article from the California Star, the April 1 issue of which had been brought overland from San Francisco, telling of extensive gold discoveries. On August 19 the New York Herald reprinted a letter from California containing an excited report of gold. Shortly thereafter the Baltimore Sun and the New Orleans Daily Picayune and the New York Journal of Commerce printed similar letters. On September 14 the Philadelphia North American published a dramatic letter from the mayor of Monterey.

Publicity about the gold discoveries in California took a large step forward on December 5, 1848, when President James K. Polk addressed the second session of the 30th Congress. By that time he had received Colonel Mason’s report and had been persuaded by it. Eager to find reasons to justify the recently concluded war with Mexico, and to encourage settlement of the lands that had come into U.S. possession as a result, Polk officially added his enthusiasm to Mason’s report, and its details were soon being circulated in newspapers throughout the U.S. as part of the reports of the President’s speech. Quickly thereafter, colorful stories about the gold in California appeared in literally every newspaper in the United States, and the rush of the 49ers began.

Even more powerful to eastern audiences than newspapers were the letters, published in small town newspapers, received from those California settlers who were the first to go to the gold fields. The letters had directness and personal credibility. After their first appearance they were republished again and again in other localities and in other states.

One effect exerted by newspapers came through advertising. Eastern readers now saw a flood of advertisements from men who wanted to sell their possessions to get the funds needed to pay for the journey to California, along with ads from societies wishing to form groups for travel west via Panama or Cape Horn. There were ads for boots, clothing, medicines, and gold testing equipment. Inventors took out ads to announce the necessity of purchasing their odd gold finding devices.

There were ads offering passage by ship to California; the 18,000-mile journey around Cape Horn took four to six months. There were also ads for the faster route via Panama, which took only several weeks. Travelers went by steamer from New York to the Isthmus of Panama, traversed thick jungle for three or four days, then connected with another line of steamers going north to California. This route was more expensive, more crowded on board ship because of the small number of steamers, and had the risk of disease often contracted in the jungle.

For many easterners, the idea of travel by ship seemed frightening, especially to those who had never seen the seacoast. They were more comfortable with the idea of overland travel. There was already a history of travel west from Missouri via the Oregon or Santa Fe trails. The overland journey to California could be made in three months if all went well.   Groups of easterners, usually about 50 each, organized themselves into business companies and raised capital for their ventures. Local newspapers assisted the process by printing announcements of the business opportunities, lists of members of the societies organized for travel, and the frequently detailed rules and regulations to be observed by members of an expedition.

Overland travelers to California needed information about the challenges they would encounter. They could draw upon fragmentary knowledge of the west gained through oral tradition and any literary accounts they might have read. There were published factual accounts by earlier travelers to the west, the most famous being John C. Fremont’s Report of the Exploring Expedition to the Rocky Mountains in the Year 1842 and to Oregon and North California in the Years 1843-’44. By the spring of 1849, they could purchase the emigrant guides that were beginning to be published in book and pamphlet form. They could also gain information from the many articles that were now being published in newspapers, with advice on questions like what food and clothing to buy, whether oxen or mules should be used, and where they might encounter dangers along the way such as hostile Indians or difficult river crossings. Many newspaper articles included tables of distances between key points along the route.

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Gold Rush handbill

The United States Post Office Department was overwhelmed by the rapid growth in the population of California and the demands of overland travelers for delivery of their letters to friends and families in the east. The first special agent assigned to establish post offices in California arrived there in February 1849, with orders to set up offices in San Diego, San Pedro, Santa Barbara, Monterey and San Francisco. The steamships of the Pacific Mail had to cope with rapid increases in volume of letters. On October 31, 1849, more than 45,000 letters accumulated at the San Francisco post office, and the clerks had to construct barricades to protect themselves from the clamoring crowds. Long lines formed, with waiting times of up to six hours. Vendors turned profits by selling cakes, coffee and newspapers.

In November 1849 a post office opened in Sacramento City. This created the problem of how to deliver letters to miners in the Sierra foothills. Sensing a business opportunity, some miners left their claims to offer private delivery services to shuttle letters and newspapers from the Post Office to miners in the camps. In the gold fields, receipt of a new issue of a newspaper was a major event.

Those in the gold fields who read the descriptions of California provided in the eastern papers were troubled by the overall impression the publications gave, that everyone was becoming rich and a miner’s life was not harsh. In contrast, the emphasis in California papers when they covered the rush for gold was upon order. They crusaded for better law enforcement and justice, reported in detail on the growth of business, noted and praised the appearance of institutions of civilization like schools and theaters and libraries and hospitals, and hailed the arrival of increasing numbers of women who intended to marry and raise families.

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San Francisco in 1849, still a small village.

 

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San Francisco in 1851, growing rapidly

Then by the late 1850s, as many gold seekers returned to the east without riches, word spread that California also held out the possibility to future settlers of an alternative to the earlier west of trappers and soldiers and miners, a place where one could be successful in business and farming and enjoy an increasing number of urban amenities. Gold seekers continued to migrate to California, and highly capitalized corporations began to develop industrial processes to mine the gold that was hardest to reach. But the rush itself came to an end.

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Panning for gold. The earliest stage of the gold rush. Hydraulic mining and deep shaft mining came later and required large cash investment.

(There are informative descriptions of the role of communication in the Gold Rush in the classic work by J.S. Holliday, The World Rushed In (1981), and David Dary, Red Blood and Black Ink ( 1998).

 

 

STEALING CALIFORNIA

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Lake Tahoe

I have just returned from a two-week vacation in Italy. Using my Sherlockian powers, I was quickly able to see that the Italians have stolen a huge amount of their culture from California. They have sunny weather, palm trees, villas with red tile roofs and stucco walls, terraced gardens, great wine, people with last names like Giannini and Alioto, and place names like Lodi and Asti. It was obvious to me that a bunch of Italians came to California in a submarine around a hundred years ago and cleverly robbed from us whatever they needed to give themselves an impressive country.

I spent the vacation with my wife, Cleo, and two old friends, Bill and Katherine, in a large apartment in northern Italy overlooking Lake Como, by means of a home exchange they negotiated. Bill and Katherine live in Newport Beach, where Bill is a banker and his wife Katherine (Kitsi) is a community volunteer and former teacher. They went to Como while the Italian couple, also coincidentally in banking, lived in their house.

Lake Como is a finger lake running north to south in the lower areas of the Italian Alps, with some of the look and feel of Tahoe. It is stunningly beautiful, surrounded by carefully preserved pine trees, rocky shores, old fishing villages that are now full of tourist hotels, and villas from earlier centuries that remind one of the copies they inspired at places like Beverly Hills and Pebble Beach. Pleasure boats glide across the smooth surface of the lake, often providing the easiest means of getting from one part of the shore to another, because driving along the narrow, winding, precipitous roads is a challenge to all but the experienced.

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Lake Como

Lake Como does not escape the international reach of Hollywood. The most famous villa along the shoreline belongs to George Clooney. The Italian police do what they can to keep tourists and paparazzi away, but on any given day you can still find gossipy stories about him on the front pages of the tabloid newspapers sold wherever you stop for gelato or cappuccino. Cleo and Kitsi both have master’s degrees but still metamorphosed into fanatics as they tried for sightings of George. Bill and I retaliated by threatening to go on a long search for the Sophia Loren Museum, a mythical creation of my crazed imagination.

As our days at Lake Como succeeded one another, many of our discussions turned to the subject of changes in places. We could see that the Lake Como region, while still very beautiful, is coping with the pressures of ever more residents and visitors. That led us into conversations about the way that California always seems to be becoming something other than what it used to be.

Kitsi and I grew up in the San Francisco Bay area. Much of the landscape there remains the same, but the region is a lot more crowded than when we were young and is increasingly an incarnation of high tech. Cleo’s Greek relatives aren’t in San Francisco any longer. The big Victorian house in San Francisco where Kitsi was raised is no longer the family seat. Many of the Navy bases that formed the world of my boyhood are closed. Near where the old Oakland Oaks minor league baseball team played, Pixar now has its headquarters. And in southern California, change feels even more dramatic. Newport Beach, where Bill grew up and had his paper route and learned to surf, is no longer a small, almost Midwestern town. Orange County continues to lose its orange groves. And Bill finds that many of the young people who now attend his old high school do not respect hard work and pursuit of goals but simply assume they will walk into influential positions and be guaranteed material comfort because they have wealthy parents.

We were surprised to find our thoughts turning to these things while visiting one of the most beautiful regions of the world and remembering another.